Ike Abrams Quebec (August 17, 1918 – January 16, 1963) was an American jazz tenor saxophonist.[1] He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death.

Due in part to struggles with heroin addiction (but also due to the fading popularity of the big bands), Quebec recorded only sporadically during the 1950s, although he still performed regularly.[1] He kept abreast of new developments in jazz, and his later playing incorporated elements of hard bop, bossa nova, and soul jazz.
In 1959, he began what amounted to a comeback with a series of albums on the Blue Note label.[1] Blue Note executive Alfred Lion was always fond of Quebec's music, but was unsure how audiences would respond to the saxophonist after a decade of low visibility. In the mid-to-late 1950s, Blue Note issued a series of Quebec singles for the juke box market;[1] audiences responded well, leading to a number of warmly-received albums. Quebec occasionally recorded on piano, as on his 1961 Blue & Sentimental album, where he alternated between tenor and piano, playing the latter behind Grant Green's guitar solos.
Quebec's comeback was short-lived; it was ended by his death in January 1963, at the age of 44 from lung cancer.[1] He is buried at Woodland Cemetery, Newark, New Jersey.
Critic Alex Henderson wrote, "Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to down-home blues, sexy ballads, and up-tempo aggression."[2]